with a musical journey spanning over two decades, Joe D’Angelo stands as a seasoned musician and composer, renowned for his evocative sonic landscapes and emotive storytelling.

co founder of Grey Skies Fallen,(signed to profound lore)  D’Angelo recently embarked on a deeply personal project that would come to define his artistic vision - Umbersound.


Drawing solace from his time spent in nature, D’Angelo infuses his music with raw emotion and a keen sense of introspection. Each composition serves as both a story and a soundscape, inviting listeners to embark on a journey through the darker recesses of the human condition.


Umbersound, D’Angelo’s brainchild and main conceptual project, serves as a vessel for his exploration of melodic doom/death metal infused with haunting melodies. With a sound that defies convention, Umbersound offers listeners an escape into mood and narrative, a refuge from the chaos of everyday life.

Supported by the esteemed New York City Arts grant, NYFA, Umbersound’s debut EP, "Sense of Place," stands as a testament to D’Angelo’s creative vision and unwavering dedication to his craft.

Born in Brooklyn and now firmly rooted in Staten Island,
D’Angelo brings a unique perspective to his music, drawing from his experiences living across the United States to create a truly immersive sonic experience.


As Umbersound continues to captivate audiences with its haunting melodies and thought-provoking lyrics, Joe D’Angelo remains committed to his mission of creating music that resonates on a deep emotional level.

With each new release, he invites listeners to explore the depths of their own emotions and find solace in the power of music to heal and inspire.

 

Umbersound’s first EP “Sense of Place” was funded and supported through the New York City Arts grant, NYFA.

 

UMBERSOUND

Joe D’Angelo creates emotional soundscapes and stories that encapsulate the darker side of the human condition. Umbersound’s sound is an escape into mood and story.

Umbersound’s first EP “Sense of Place” was funded and supported through the New York City Arts grant, NYFA.